Is Avatar Able to Be a Trendy Blockbuster Franchise?

This week marks the twentieth anniversary of Avatar: The Last Airbender, Nickelodeon’s action-fantasy anime that turned one of many community’s greatest reveals again within the day. And what higher technique to have a good time a momentous event than to lastly reveal a brand new present—Seven Havens, a 2D sequence with a two-season greenlight and involvement from franchise co-creators Michael DiMartino and Bryan Konietzko. Just like the earlier reveals, Havens will middle on one other younger Avatar coming into their very own, on this case a younger Earthbender who finds herself inheriting a stained mantle after a cataclysm involving her predecessor Korra has made folks cautious of anybody with the title.

We’ve identified for just a few years now that Paramount would very very similar to to maintain Avatar going as a multimedia franchise. Usually, the franchise by no means actually went away, even because the hole between sequence was sizable: together with Netflix’s separate (however ongoing) live-action remake, numerous comics and graphic novels have lined what occurred subsequent for Aang, Korra, and their associates; video video games of questionable high quality have come out on a semi-consistent foundation (with a more substantial one on the horizon); and there’ve been quite a lot of YA books starring distinguished Avatars of the previous like Kyoshi and Yangchen.

However Seven Havens carries a unique weight behind it as one of many franchise’s first initiatives to come back from Avatar Studios. When this and the Aang-focused animated film—the first of three films to come back—launch, we’ll see if Avatar‘sgot what it takes to maintain up with the turbulent, franchise-heavy instances of our present popular culture period.

When the unique Final Airbender sequence premiered February 21, 2005, there wasn’t actually something prefer it on western TV, to say nothing of Nick’s primarily comedy-focused lineup again then. For a lot of its then-young viewers, its anime artwork model and concentrate on motion and storytelling hooked them in and by no means actually left. And like different followers earlier than them, children of the ’00s who made Avatar a key a part of their identities discovered themselves protecting of the franchise from anybody who didn’t appear to “get it,” therefore the longstanding bitterness over the live-action movie and the reflexive disdain when extra details about the Netflix adaptation started pouring out. That urge to guard goes past live-action ventures; longtime followers will keep in mind how a lot of a beating Legend of Korra‘s first two seasons (particularly the second) took, a few of which is owed to its begin as a two-season miniseries that turned one thing greater. Its closing two seasons are a lot improved and construct on earlier occasions in attention-grabbing (and on the time, very unexpected) methods, however the first half can typically be a extra irritating watch than it ought to, as a result of DiMartino and Konietzko didn’t have the identical quantity of runway to work with as the unique present.

Instances have modified considerably since Korra’s show wrapped again in 2014. Franchises have develop into a fair greater forex in Hollywood, however studios haven’t actually performed the most effective job getting out of their very own method and letting mentioned franchises do what they do greatest. Motion pictures have expanded over to TV with combined outcomes, and never each franchise present is made equally—some aren’t being made like actual TV shows, and others weren’t actually given the time to correctly discover themselves. Korra had its issues, however at the very least it obtained the chance to develop correctly; with how straightforward it’s for initiatives to get overwhelmed by adverse reactions, each real and manufactured in bad faith, it may not have lasted lengthy these days. The franchise has to deal with all of that, plus the potential of having to churn out project after project ought to Havens or the film do properly, or being successfully cast aside if both slip up even as soon as. If there’s one factor we’ve realized previously decade, it’s that nobody is untouchable, and it doesn’t take a lot for one thing once-liked to lose steam and really feel washed.

The unique Avatar obtained fortunate in that it was the primary and solely a part of itself again in 2005, and that it obtained to stay in its personal context. After its finish, Paramount continued the franchise in a reactive method—both to fan demand and streamer numbers, or not wanting the sequence’ final phrase to be a bitter one that would alienate newcomers or preserve veterans from performing a rewatch. If DiMartino and Konietzko have extra tales they wish to inform on this universe, then clearly they need to get the house to take action with workers that’s equally enthusiastic and loving of the fabric. But when the sequence is simply coming again so Paramount can flex what it’s got and tout one other all-ages franchise to face alongside SpongeBob and different manufacturers of childhood’s previous? That’ll do extra injury to Avatar’s legacy than any live-action challenge ever may.

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